Money Or Time?

A friend told me about a study done showing that most Americans have next to nothing in their savings accounts.

The actual statistic: 69% have less than $1,000 and 34% have no savings at all.

In other words, if your savings account has more than a grand in it, you fall into the unbelievably small 21%.

This got me wondering, is this really all about unwise financial decisions? Or could it have something to do with the actual ability to save? Having worked my share of odd jobs myself (TV salesman, cashier, waiter, dishwasher), I know something about how challenging it can be, having certain levels of income, to actually save money.

Saving money is not just the act of putting money into a savings account. As far as I’ve seen, there is really one major factor: Time.

Though I can’t cite statistics, I know that car payments, rent, mortgage payments, food, fuel, utilities, and insurance of all kinds, are facts. Never mind any expenses that do not fall into insurance, or recreational expenses of any kind. In order to account for all of these things, it seems safe to conclude that every American below a certain income level must devote a fair amount of Time to, well, Working. (And unless you’re very lucky, your job is not perfectly aligned with your creative or Artistic talents or Vision.)

Ironically, some of the very activities needed to save money (cooking at home, minimizing travel, designing and keeping to a budget) can be hard-pressed to fit into Time that’s already spent Working.

Maybe these far-out numbers reflect a deeper problem than poor spending habits.

Source: Yahoo!: “Here’s how much Americans at every age have in their savings accounts” by Kathleen Elkins

Why Intimacy Is More Important Than Music

There is a lot of Music, but not a lot of true human connection, in the world.

Open a streaming app, like Spotify or Pandora, or an online media store, like iTunes. Go to a hub for independent music artists, like SoundCloud or Bandcamp. Visit any sites or services (and there are hundreds) where music, new or old, is simply a click away.

Now walk down the street. Go to a coffee shop. Peruse the aisles of a grocery store, or even a bookstore. Grab a bite at your favorite restaurant. Go to a public park. Go to work. How much actual relating is happening?

I think you’ll notice that what you’ll be hard pressed to find is two or more humans interacting in an authentic, vulnerable way. What you’ll easily find, however, is a lot of smart phones, a lot of laptops, a lot of “blinder vision”.

Of course, smaller towns might elicit more familiarity, but that doesn’t necessarily imply connection, relating, or what I like to call “Intimacy”. Cities or areas with a more expansive urban or cultural sprawl might be more likely to host venues or spaces where people with like minds can meet to share interests, but such places are also known for large amounts of loneliness or isolation in spite of, or indeed because of, the sheer amount of people residing there.

Deep, honest Intimacy – and I’m not just talking about bedroom Intimacy – is rare. Of course, that’s what makes it special. But does it have to be rare to be special? Music is easy to dive into; there’s obviously no shortage of music or musicians. Anyone can put their headphones on – but can anyone venture out of the bubble and start to engage on a deeper level with another human being?

Should You Quit Your Job?

In Cal Newport’s So Good They Can’t Ignore You: Why Skills Trump Passion in the Quest For Work You Love, he provides an algorithm to be used in order to find out whether you should quit your job. I’m quoting from memory:

There are three criteria:

  1. You really hate the people you work with.
  2. You feel that the job is not helping people or doing anything good for the world.
  3. There is no room for innovation.

The first criterion is more or less black and white – you either do or you don’t hate the people you work with. The second two are far more subjective. Who’s to say if the world is being made a better place? And as far as innovation goes, are we talking within the confines of the job itself, or innovation outside of the workplace as well?

Most people aren’t interested in the second two criteria. They’re most likely already good at their job, or they don’t have any other source of income on which to fall back. But for those of us who are, it might benefit us to contemplate them if we’re not entirely certain that our current jobs will hold much promise in the long run.

The Problem With The “Attraction Hypothesis”

There’s a couple of different ways of explaining why what happens to us happens, and why we get what we get.

One way would be to say, we created it. We had ideas, we had experiences, we had desires, and somehow these “attracted” the circumstances in our lives. We “reap the fields we sow.”

This may be the truth of how things work, but I would hope that everybody doesn’t buy into it. If everybody buys into it, you’ve got everybody expecting something. For example, according to the “attraction” hypothesis, if I want something bad enough, I will eventually attract it.

But this puts the idea, experience, or desire first. It suggests, “This is what you need to do, or think, or be, to have X.” But why would I want to have X in the first place?

The problem comes when I think X has anything whatsoever to do with my happiness. The problem comes when I think X has anything to do with the idea that I don’t have X, but I could have X.

Why not just start with Zero? Zero doesn’t create expectations. Zero doesn’t lead to disappointments. Zero is just Zero.

I am what I am, and I have what I have. Why? Because I am it, and I have it. The “attraction hypothesis” is flawed, in my opinion, because it mixes up our priorities. I believe the first priority should be figuring out what or who we are. Once we start there, we might find that our ideas, experiences, and desires have even less to do with us than we thought!

The Sweet Spot

There is a place where it’s best to hang out and see what happens. To sort of just kick back and observe. In the learning process, this is especially true.

The trick is balancing this observation, this almost non-action, with the conscious striving for whichever effect is desired – the pushing of the weight, the hitting of the note, the fluidity of the line. The hardest thing about Learning may actually be achieving this balance.

At times, the best policy may be to grunt and push. Other times, doing less and “getting out of your own way” is most effective. Sometimes it’s hard to tell which side of the scale to jump to. Other times it’s not.

On any path to mastery, there’s a Sweet Spot. It’s here that a beautiful balance occurs, where reaching and observing meet and start to overlap. Here, Life seems easier, for a moment. We could be at the dry cleaners or we could be doing rocket science, but all of a sudden, for an instant, things just makes sense.

Of course, as soon as things start to make sense, they fade back to where they were before, and we’re back to the Game of pushing and pulling and grunting and observing. I guess the whole point is to get to where those moments of Clarity are not only more frequent, but last a second or two longer.

Once we’re there, of course, part of the fun is this feeling that we could have gotten there at any time, and we always knew how. This may or may not actually be true – but who cares? It’s the feeling that counts.

More On Growth

How can you tell where to direct your efforts?

By identifying the two or three things you least want to do. For me, it has been practicing my voice therapy exercises, and doing abdominal workouts.

It’s not because they were important that I delayed them. It’s more because they are kind of monotonous and not particularly fun. Actually, when I’m into doing them, I coast along easily. It’s getting started that is so grueling.

To me, it’s kind of ironic that the activities that generate so much resistance are the very ones that are often the most important for one’s personal growth. My two, in particular, are no exception to this rule. I simply can’t get excited about blowing bubbles into a cup with a straw or sweating on the floor with my legs in the air.

But today I just decided to bloody do it. OK, these were the two things I’m avoiding, and they also happen to be two of the most important things I must do for myself. So, damn it, I’m just going to do them.

Of course, once I got past the first five minutes, everything was fine and I wasn’t even thinking about how much I hated my life anymore. Well, that’s a bit of a lie – a part of me was still begrudging my bubble-blowing and ab-crunching. But at least I bloody did them.

Now, will I do them tomorrow?

Where True Growth Comes From

The only way to ensure that progress is being made from one echelon to another is if pain is being felt. Not the kind of pain that renders a person immobile, but the kind that shocks the system just enough to make him stronger when he returns to his senses.

I used to have some misunderstandings about Growth. I thought it was something that, if you were consistent or even “passionate” enough, you could grow fast, and not really feel it. But the fastest growth is felt, and it feels downright painful.

True Growth must be accompanied by a certain kind of mentality, one in which you’re not really concerned with the bigger picture. Noticing the bigger picture can only overwhelm us and cause us to get discouraged. We might look at all the Pain ahead, and just decide that staying where we are is better.

In a way, we must be willfully ignorant. My PT told me today, “If you think about how heavy it is, you won’t do it.” This can apply to any undertaking. It doesn’t really benefit us to focus on anything other than what’s directly in front of us. We take the small actions, we push ourselves or allow ourselves to be pushed. But letting the gravity, or the density, or the scope, or the magnitude, of what we’re working towards, hold too prominent a place in our minds, is just too likely to throw us off.

And anyway, it’s still going to hurt.

Anything But An Artist

I’ve never felt inclined to do anything I’m “supposed” to do. “Supposed to” meaning  it’s not coming from me, but from somewhere or someone else.

I believe a lot of Artists fall into this trap. I’m a painter, I’m “supposed” to paint. I’m an actor, I’m “supposed” to try to get casted. I’m a musician, I’m “supposed” to eat, sleep, and breathe music.

The problem is one of over-identification. We stop knowing when our painting, acting, and music-ing is coming from a deep, true place inside of us, and when it is coming from what we believe is expected of us.

If you’re reading this and you’re someone who’s never felt that your Art was not naturally emerging from a place deep within yourself, unaffected by all external forces, then feel free to ignore this entry. I can’t pretend to know anything about you or your creative process.

I’ve always, and still do, rebelled against any notion that all Artists are these unstoppable forces who hold some kind of impenetrable compass that never fails to guide them in the direction of their creative star. If you’re stuck, you must be lazy. If you’re not producing, you’re not productive. If you don’t know exactly where you’re going, you’re misguided and you need a reality check.

If I’m going to write, or play, or create anything at all, I’ll do it because it damn well pleases me. I’ll do it because there’s nothing I’d rather do. I’ll do it because I’m compelled. Call me lazy, call me nonproductive, call me a poser. Go ahead, call me anything but an Artist.

Do it, why? Because I’m supposed to? No, thank you.

Moon Pace

A friend of mine told me of how he once learned how the Universe works by watching the moon move in the night sky.

He said that over the course of about 20 to 30 minutes, the moon moved from its position perpendicular to the parking lot light post a noticeable distance. He said he could even see it tick.

The Moon moves at its own pace, like the rest of the natural world. From Lao Tsu: “Nature is unhurried, yet everything is accomplished.”

What if we could tap into that pace? What could we accomplish?

Thanks to Johnny Fritts.

Reaching A Higher Level: Understand That Life Has “Layers” And “Seasons”

In order to reach a higher level at any Art, skill, Craft, Vision, stage of life, or Way of Being than one is currently at, one must have the discipline to “chunk away” at it, every day, until that higher level is reached.

I have a theory that this discipline doesn’t originate in a vacuum. I believe that it comes from a burning or insatiable desire to continue this process even through times of seeing few to no results. There must be a Light At The End Of The Tunnel, a strong feeling of what it would be like to get there, accompanied by a sense that one must Get There at all costs.

This feeling must be strong enough to last through disappointments, plateaus, and any forms of Resistance. It must represent a pull towards the Higher Level, one that overrides what Stephen Pressfield calls “lower natures”.

Whoever is on this path understands that, to go from the current level to the Higher Level could take an uncomfortably long amount of time. Furthermore, they would have to have the mentality of “chunking away” every single day. This part is especially important – the best way to build momentum when working towards a Higher Level is to take no days off.

None of this is overwhelming to the person truly on the path. He or she knows what she wants, and he or she is okay with never stopping.

Now here comes the “Big But”: but what if this feeling isn’t present? But what if the direction is unclear? But what if the desire is not so fiery?

Well, then, maybe the context needs to be re-examined. If that fire in the belly just isn’t there, if no path is visible, then maybe it makes sense to not be so concerned about that Higher Level.

Yes, human beings are built to evolve, to reach fuller and fuller versions of our potential. But what if this process was not always an active one? What if it unfolded in seasons, and there were seasons when specific action should be taken, and seasons when less action is better?

For anyone thinking about Visions and Higher Levels and evolution, it might seem counterintuitive to consider that to not have a plan could be a feasible way of doing things. But Life, like an onion, is a many-layered thing. Just because action is not being taken within one’s idea of the Art, skill, Craft, or Vision, does not mean action can’t be taken in other areas. There is a time to take action in non-Craft related areas, just as there is a time to focus on the Craft and let everything else fall by the wayside.

Maybe the best time to get down to the nitty gritty stuff that all Artists hate but that we must all face and do at some point is when we are not really feeling the grind. What if the Craft were just one layer in the onion, rather than the onion itself?

Yes, discipline is essential. Yes, it’s important to not skip a day. But what may be even more important is understanding that Life is Life. Sometimes it does make sense to stop, and trust that something will rush in to fill the void – for a season.